Lamphun Hotels

Monday, January 26, 2015

History of queen Chamadevi


Queen Chamathevi

According to the Jinakalamalini, a 16th century chronicle, written in the Pali language, Haripunjaya was founded by the rishi (hermit) Vasudeva, known in Thai as "Suthep", who gave his name to the famous hilltop shrine of Doi Suthep: 
In the Year 1204 of the Buddhist era, at the full moon of the month of Pagguna, the hermit Vasudeva founded the city of Haripunjaya. Two years later, Cammadevi came from Lawapura and reigned at Haripunjaya.
The year 1204 B.E. corresponds to 661 C.E. (i.e. B.E. + 543 years), though modern scholars suggest 750 C.E. as a more likely date for the foundation of the city. "Cammadevi" is the Mon form of Chammathevi. Lawapura (city of the Lawa) was the Mon name for modern Lopburi, once part of the Mon kingdom of Dvaravati. Curiously, another early Pali chronicle, the Cammadevivamsa, uses the modern name Lamphun for the city. 
Queen Chamathevi
Her memory is still much revered in Lamphun with references to her all over the city, from the Chamathevi memorial (pictured right) to Wat Chamathevi - one of the oldest temples in northern Thailand. 

Legends of Chamathevi

In the Wiharn of Wat Chamathevi is a mural which depicts a princely gentleman in a turban, throwing a spear from a mountain top towards a distant walled town. The mountain is Doi Suthep west of Chiang Mai, the town is Lamphun, the prince is the Lawa Chieftain Khun Luang Wilanga and the hat is the subject of the story.

The Three Spears
The legend tells that King Wilanga wooed Queen Chamathevi for many years without success. Eventually she was compelled to promise marriage, but only on the condition that he prove himself by throwing three spears into the center of Lamphun from the top of Doi Suthep. 

When his first spear reached the target, the queen, fearing he might win the challenge, made him a turban from her own sarong, claiming it would give him strength for the next attempts. Weakened by traces of menstrual blood in the fabric, the prince threw the second spear short and lost the contest. 

One version of the story says that he threw the third spear straight up in the air and was killed by it as it returned to earth. In any case the queen retained her city. 

The It was then that the barbarian king Bilanka approached with 80,000 soldiers, in the hope of taking Haripunjaya. Then Mahayasa mounted on the elephant's shoulders, and Indaravara on the middle of the back, with the Mahout behind. Surrounded by a multitude of soldiers they made a sortie from the western gate of the city. The barbarian king, seeing the tusks of this white elephant as if lit up by a red glow, feared for his life and fled the field of battle, his comrades dispersing in all directions." (translation from the French version of George Coedes by current author)

The unfortunate King Wilanga is still remembered by the Lawa as the last king of their people. As late as the 1990's, Dr. Christian Goodden heard stories of him in a Lawa village near Mae Sariang, on the Burma border (see his book Three Pagodas). The Lawa Guardian Spirits of Chiang Mai are still honored every year in a buffalo slaughter at Bahn Pa Chi, near Doi Suthep. 


End of Haripunjaya

Haripunjaya flourished as a political and cultural center until 1275 when it was conquered by King Mengrai, ruler of the northern Tai kingdom of Lan Na and founder of Chiang Mai. Lan Na itself, however, acquired much of its Buddhist culture from the Mon peoples of the conquered city.

Lamphun: ancient Haripunjaya

Phra Borommathat Haripunchai
Most people visit Lamphun from Chiang Mai. By train it takes about 30 minutes, with 2 trains early morning, and two return trains in the evening. The station is some 2km from the town center, but Song Thaews wait at the station. 

Bus services run from Chang Puak Bus terminal in Chiang Mai, north of Chang Puak Gate, and a blue Song Thaew service runs from just south of Narawat bridge on the east side of the river. Price is 14 Baht and the journey takes around 30 minutes. Many people also hire cars or motorcycles from Chiang Mai. 

Buses and Song Thaews stop at the rear entrance to Wat Phrathat. Return bus or Song Thaew to Chiang Mai can be found outside the Lamphun Museum, opposite the west gate of Wat Phrathat Haripunchai.

Lamphun is one of the most ancient cities in Thailand, dating back at least to the 8th century C.E. when it was the center of the Mon kingdom of Haripunjaya.

The city lies along the west bank of the Mae Kuang River, about 26km south of Chiang Mai. The old city center forms an oval shape, oriented NE to SW, about 1km long by 500m wide, moated on all sides. There was formerly a wall as well, but this is long gone, though sections have been re-built at the NE and NW city gates, with an extended section by the river. 

The town is very quiet, but well worth a visit for the ancient temples of Wat Phrathat Haripunchai, Wat Mahawan, Wat Phra Yuen and Wat Chamathevi. 

Getting There


Getting Around

Walking is a good way to tour Lamphun, but samlors are recommended for visiting Wat Phra Yuen, Wat Chamathevi, and the Ku Chang shrine. 

Hotels

I have never been tempted to stay in Lamphun - Chiang Mai is very close - but I have noticed a couple of pleasant looking GUEST HOUSES on the way to Wat Chamathevi

Read more details
http://www.thailandbytrain.com/Lamphun.html

Saturday, January 24, 2015

Wat Mahawan Lamphun

This Haripunchai period temple is just outside the old city, on Chamathewi Road which is also the way to Wat Chamathewi. Turn left from the back entrance of Wat Phra That, then right at the first intersection. Walk a few hundred meters through the western gates and across the ring road. The wat is on the right hand side. 

Wat Mahawan was founded possibly as early as the 8th century, though there have been extensive rebuildings and renovations since. It is said that queen Chamathevi herself placed here a black stone Buddha with a Naga hood. This Buddha, originally from Lopburi is known as the Phra Rod Luang and has been the model for numerous amulets, which are much sought after in the amulet markets. 

Viharn , Wat Mahawan

The temple features a beautiful Lanna style Wiharn with a small but spectacular naga staircase and a large seated Buddha image within, together with the black Phra Rot Luang image which measures 17" by 38". 

According to a notice in the temple grounds, the original Chedi housed a large number of amulets (normally 84000 to match the 84000 teachings of the Buddha) in its reliquary chamber, but this was broken into and plundered, so eventually a new Chedi was built over the original structure. 

The bell tower, set in a small garden to the north of the Wiharn, is very attractive, and a small Mondop to the right houses a number of black stone copies of Phra Rod Luang. 

 Wat Mahawan

 Wat Chamma Trewi


More details
http://www.thailandbytrain.com/Lamphun.html

Wat Phra Yuen

The original complex dates back to the 11th century, although a number of restorations and expansions have taken place since then.

This wat is located in a small grove around 1 km to the east of central Lamphun. Its not really worth the walk out unless you have a specific interest in wats or have 30 minutes or so to kill.
The original complex dates back to the 11th century, although a number of restorations and expansions have taken place since then.



This wat is located in a small grove around 1 km to the east of central Lamphun. Its not really worth the walk out unless you have a specific interest in wats or have 30 minutes or so to kill.

To get here walk through the covered bridge and then continue down the road for about ten minutes, then cross the main road you reach and the temple is straight ahead.

 Wat Phra Yuen

 Wat Phra Yuen Lamphun
 Wat Phra Yuen



Read more details
http://www.travelfish.org/sight_profile/thailand/northern_thailand/lamphun/lamphun/119

Hariphunchai National Museum

This good little museum has a permanent exhibit downstairs that displays a variety of stone inscriptions that have been unearthed in the surrounding area. Upstairs has a permanent exhibition of Haripunchai and Lanna art. Many (though not all) the items have bilingual labels.
Its a reasonable and balanced museum with an interesting and quite varied collection. It also hosts occasional temporary exhibitions.


Its worth a look if you are in town - allow at least 30 minutes to an hour to get the most out of it.










Read more details
http://www.travelfish.org/sight_profile/thailand/northern_thailand/lamphun/lamphun/121

Lamphun History

Small province in North Thailand with a rich history

Lamphun is a small Northern province of valleys, mountains, forests and historical sights. Its agriculture consists mainly of rice farming and longan orchards. The provincial seal shows the chedi of its most highly revered temple, the Wat Phra That Haripunchai.

Ku Chang chedi in Lamphun
Ku Chang chedi
The capital of the province, also called Lamphun, is a small town with a relaxed atmosphere situated on the banks of the Kuang river in a valley surrounded by mountains.
One of Thailand’s oldest towns, Lamphun is rich in historical sights from several era’s. A number of monuments date back to the towns founding like the Ku Chang-Ku Mah chedis, that according to legend enshrine the remains of two animals that belonged to the town’s founder.

History of Lamphun

The town of Lamphun is believed to have been founded in the early 9thcentury. It was the capital of the Haripunchai Kingdom, a Mon Kingdom in North Thailand. Then called Haripunchai, the town was bordered on the East side by the Kuang river and surrounded by a moat and defensive walls on the other three sides.
The town was founded by Queen Chama Thewi, believed to be a Princess of the Lavo Kingdom from Lopburi. A large bronze statue of her in the Nong Dok public park honors the Queen to this day.
According to ancient chronicles the city was founded much earlier in the year 661 when a hermit named Suthewa Rusi requested Chama Thewi to found a new city and establish Buddhism in the area. A statue of the hermit stands in front of the Lamphun town hall.
In 1281 King Mengrai of the Lanna Kingdom conquered the city and incorporated Haripunchai into Lanna. The Lamphun area was under the control of the Burmese for over two centuries until the end of the 18thcentury.

Getting to Lamphun

Lamphun is located some 670 kilometers North of Bangkok and 40 kilometers South of Chiang Mai. The town can easily be visited as a day trip from Chiang Mai.
Taxi
The most comfortable way to get to Lamphun is by private taxi. Hiring one for 4 hours to visit sights in the Chiang Mai and Lamphun area would cost around 800 to 1,000 Baht excluding fuel. Agree on price, duration of the trip and places to visit before leaving.
Train
Lamphun is easily reached by train from Chiang Mai. The 22 kilometer trip takes 20 to 30 minutes, depending on the type of service. Fares for 1st, 2nd and 3rd class are 21, 11 and 5 Baht respectively. For more info, visit the website of the State Railway of Thailand. The Lamphun train station is located North of the town center. To get to the sights, take a songthaew, a converted pick up truck with benches in the back.
Bus

Busses to Lamphun leave from Chiang Mai’s Chang Puak station near the South city gate. The trip takes around one hour, the fare is 25 Baht.

Read more details
http://www.renown-travel.com/north/lamphun.html

Transport Lamphun

Option in Lamphun, Thailand
Lamphun is a small province located between Lampang and Chiang Mai and is easily reached via car, bus or train. It is also possible to take a plane to Chiang Mai and then a short bus to Lamphun. Once there, it may be easier to get around with your own car, but there are standard forms of local transport available for visitors: i.e. songtaews, motorbike taxis, samlors, and tuk tuks.
By Train
Trains leave Bangkok’s Hua Lumphong Railway Station every day for Chiang Mai, all of which make stops in Lamphun, 30 to 45 minutes away from Chiang Mai. Call 1690 for more information.
By Car
From Bangkok, take Highway No. 1 to Nakhon Sawan via Sing Buri and Chai Nat, then turn into Highway No. 11 and proceed to Lamphun, a total distance of 670 kilometers.

From Chiang Mai simply drive south on either Highway No.11 or No.106 to Lamphun.

By Bus
Both air-conditioned and non air-conditioned busses depart daily from Bangkok’s Northern Bus Terminal (Mo Chit 2) to Lamphun. Traveling time is about 9 hours. Call 0 2936 0852-66 or visit www.transport.co.th for more information. Indra Tour, a private bus company, also operates air-conditioned busses to Lamphun. Call 0 2208 0840 for information.
By Air
Visitors can fly from Bangkok to Chiang Mai and then take a Chiang Mai-Lamphun bus that leaves Chiang Mai’s Chang Phueak Bus Station every 15 minutes. Traveling time from Chiang Mai to Lamphun is 45 minutes.
Getting Around Lamphun
As in most rural Thai provinces there are typically songtaews that follow established routes around the provincial capital and local busses and songtaews for trips between towns within the province. Songtaews, motorbike taxis, and samlors (three wheeled pedal powered cabs) are usually available for private charter as well.

To Mae Ping National Park:
By Car:
From Lamphun take road number 1087 (Li-Ko) along which the park headquarters is located between kilometers 20 and 21.

By Ship:
As the Ping River flows through the park, visitors can take a boat from Doi Tao Reservoir, Chiang Mai province to Bhumipol Dam in Tak Province and then onto Doi Tao Reservoir


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Wat Chamma Thevi (Wat Ku Kut)

The Mon Dvaravati style Mahabol chedi at the Wat Ku Kut temple in Lamphun
Mon style Mahabol chedi
Temple housing one of the last surviving examples of Mon Dvaravati architecture

The Wat Ku Kut is a little visited temple in the town of Lamphun comprising of a viharn, an ubosot, a sala and two ancient chedis.

The temple was founded around 1150 when Lamphun was the capital of the Mon Dvaravati Kingdom of Haripunchai. According to local legend, the temple was founded much earlier in the days of Queen Chama Thewi, who founded the town of Lamphun in the early 9th century. The Wat Ku Kut is also known as Wat Chama Thewi or Wat Chama Devi named after the Queen.

Local legend tells that the spot where the temple was to be erected was determined by firing an arrow. The spot where the arrow landed marked the location. The most noticeable structures of the Wat Ku Kut are its two ancient chedis.


The Wat Ku Kut houses one of the last surviving examples of Mon Dvaravati architecture in Thailand, the Mahabol chedi. The well preserved stepped pyramid chedi is also known as the Suwan Chang Kot chedi.

The chedi was built by King Athitayarat of the Haripunchai Kingdom to commemorate his victory over the Khmer halfway the 12th century. The current structure is from 1218, when it was rebuilt by King Saphsit after an earthquake damaged the original.

The brick chedi measuring 21 meters high is plastered with stucco. Standing on a square base are five square tiers of diminishing size. Each side of each tier contains three niches enshrining a standing image of the Buddha, decreasing in size towards the top. The images. cast in 1218 in molds, are in the Abhaya mudra (dispelling fear), the right hand raised. The arches over the niches contain intricate stuccoed decorations.

Similar chedis can be found at the Wat Phaya Wat in Nan, the Wat Mahathat in Sukhothai Historical Park, the Wat Phra That Haripunchai in Lamphun, and the Wat Chedi Liam in Chiang Mai.


Buddha images on the Mahabol chedi at Wat Ku Kut
Buddha images on the Mahabol chedi

Ratana chedi

Next to the viharn stands another smaller stupa named Ratana chedi, which translates to “gem chedi”. The early 13th century octagonal chedi measuring 11½ meters high is made of brick and covered with stucco.

Above its high base is a niche on each of the chedi’s eight sides in which a standing image of the Buddha is enshrined. The Ratana chedi is topped with a relic chamber. Small niches just under the chamber contain seated images of the Buddha. The top portion of the chedi has collapsed.

Viharn

The more recent viharn or assembly hall is a large building in central Thai style with a Lanna style gable. The balustrades of the stairway towards the viharn carry a Naga snake sprewing out a Makara, a sea animal from Hindu mythology. The wooden window panels are adorned with depictions of celestial beings in gold colors on a red background. Seated on an elaborate pedestal is the temple’s principal Buddha image, a large image in the “Calling the Earth to witness” posture. Murals on the upper part of the walls depict scenes from the history of Haripunchai and Queen Chama Thewi, including scenes of battles.



Mural depicting a local legend about Queen Chama Thewi

On the back wall to the left of the principal Buddha image is a mural depicting a legend about Queen Chama Thewi. It shows Viranga, King of the Lawa people on top of Doi Suthep mountain throwing a spear towards the town of Haripunchai (present day Lamphun). According to the legend Viranga had wanted for many years to marry Queen Chama Thewi. Finally the Queen agreed provided that Viranga could throw three spears from the top of the mountain into the walled town. After the first spear had reached the town, Queen Chama Thewi who feared Viranga would succeed, offered him a turban made out of her sarong. Some menstrual blood that was still in the cloth weakened Viranga, after which he failed his second attempt.
Wat Ku Kut temple at dusk
Wat Ku Kut as dusk
Ubosot

The ubosot is a central Thai style building with a Lanna style gable with wood carvings of golden flower motifs. On top of its two tiered roof are chofahs, an ornamental element shaped like a thin bird that represents Garuda. Near the ubosot’s entrance door stands an ancient stone stele, inscribed with Mon script.

A third chedi on the grounds is much more recent. Each side of the square structure contains a niche enshrining a golden Buddha image.

How to get to the Wat Ku Kut

The temple is found on Chamadevi road (road 1015) a little over one kilometer West of Lamphun town center, next to Lamphun Hospital. To get there, hire a samlor (trishaw) from the town center for about 40 Baht one way. For the way back into town, get a samlor at the hospital.

Entrance fee & opening hours

The Wat Ku Kut opens daily during daylight hours. Admission is free.
 Wat Chama Thewi (Wat Kukut)
 Wat Chamma Trewi
Detail more
http://www.renown-travel.com/temples/wat-ku-kut.html

Languid Lamphun: Thailand’s Oldest City


The historic town of Lamphun, if not definitively the oldest city in Thailand, must certainly be a contender for the title "longest continually inhabited settlement". The ancient fortified city was founded, according to legend, in 660 AD, almost six centuries before the nearby city of Chiang Mai, and fully 1,122 years before the Thai capital was moved to Bangkok. Historians, who question the date given by the annals, fix the founding of the city in about 950 AD—yet even by these punctilious standards, Lamphun is old indeed.
At the peak of its power and influence, Lamphun was better known as the capital of the Kingdom of Haripunchai. Established by Buddhist monks from Lopburi, under the legendary Queen Chamadevi, Haripunchai flourished as a centre of Mon culture and influence until its eventual conquest by King Mangrai of Lan Na, in 1281—long after the demise of the more southerly Mon Kingdom of Dvaravati.
Today the quiet, provincial town of Lamphun, located just 26 kilometres south of Chiang Mai, is generally visited as an enjoyable and rewarding excursion from the northern capital. Tranquil, lotus-filled moats and some of the most distinguished historical architecture in Thailand combine to attract both Thai and overseas visitors.
Unusually for these modern times, one of the great pleasures of a visit to Lamphun is the actual journey from Chiang Mai. The traveller should head south along the old road—Highway 106—avoiding the busy new superhighway. This road, which once ran directly between Chiang Mai Gate and Lamphun's northern "Elephant Crush" Gate, is steeped in history. From the Chiang Mai suburb of Nong Hoi south, for a distance of 12 kilometres—as far as the Chiang Mai-Lamphun provincial boundary—the road is lined by lofty 30-metre high yang trees, interspersed with fruit orchards, small farms and paddy fields.
En route the road passes through the quiet village of Saraphi, renowned for its basketry and bamboo furniture products. Numerous shops selling these goods stand beside the tree-lined road. Between the yang trees and fruit orchards are frequent signs for garden restaurants—quiet, rural venues, set back off the road and much appreciated by local people and visitors alike.

Little remains of Lamphun's ancient city walls, though the heart of the Old City is still surrounded to the north, west and south by well-preserved moats. To the east, the shallow, slow-flowing waters of the River Kuang once provided protection in times of war, but now offer shady banks, a boating park for children, and a peaceful place to fish.
Those interested in the history and layout of Lamphun should begin with a visit to the informative and well-maintained provincial museum. Here there are displays of various fine bronzes, stuccoes and terracottas from Mon times, including masks and carvings of figures with the fierce eyes and enigmatic grin which are the hallmark of Haripunchai Art.
Starting at the museum may be the sensible way to begin a tour of Lamphun, but—truth to tell—few people, even dedicated antiquarians, will have such strength of mind. For directly opposite, on the east side of Inthayongyot Road, the city's main street, eclipsing every other monument in Lamphun, stands the splendid Wat Phra That Haripunchai. This magnificent temple, unequalled in north Thailand except, perhaps, by Wat Phra That Lampang Luang, was founded in 1044 by King Athitayaraj of Haripunchai on the site of Chamadevi's royal palace. Legend has it that the queen's personal quarters are enclosed in the main 46-metre high Lan Na-style chedi, covered in copper plates and topped by a gold umbrella—it's a nice story, but if true Chamadevi's quarters must have been rather cramped.
In addition to an impressive but modern viharn, built in 1925 and housing the important Phra Chao Thongtip Buddha image, the temple complex also includes the unusual stepped-pyramid Suwanna Chedi, dating from 1467, one of very few surviving example of Dvaravati architecture. Nearby hangs a giant bronze gong, claimed to be the largest in the world. By any standards, Wat Phra That Haripunchai is a remarkable structure, to be treasured—like Kipling's "winking wonder", the Shwedagon Pagoda in Rangoon—not only by the Thais, but by humanity in general.
As in any tour of ancient Thailand, the visitor faces the possibility of "temple fatigue"—after all, neighbouring Chiang Mai boasts 121 temples within the city limits, and many more beyond. Even so, at least one more Lamphun temple is essential viewing, and in its own way it is as important as Wat Phra That Haripunchai. This is Wat Chamadevi, better known locally as Wat Ku Kut. Named after Lamphun's founder and most famous ruler, this temple lies on the western side of town, about one-and-a-half kilometres from the moats down the road to Sanpathong Village.
Wat Chamadevi is the site of the two oldest surviving monuments in Lamphun, both brick chedis decorated with stucco figures of the Buddha, dating from 1218, and considered to be the finest surviving examples of Haripunchai—indeed, Mon—architecture in Thailand. The larger of the two, Chedi Suwan Chang Kot, is a stepped pyramid 21 metres high, thought to have been modelled on a similar dagoba in Polonnaruwa, Sri Lanka. Nearby there is another chedi of smaller proportions but equal style. This structure, the Ratana Chedi, is said to contain the ashes of the great queen herself.
At the southern end of Inthayongyot Road, near the banks of the encircling moat, may be seen the striking statue of Queen Chamadevi. This remarkable ruler, who was instrumental in the spread of Buddhism and of Mon culture in the region more than one thousand years ago, is one of the heroines of Thai history. By all accounts she was both determined and ingenious, so it comes as no surprise that to this day the women of Lamphun are considered strong-willed and proud because of her influence.
Twelve kilometres south of Lamphun, further along Highway 106 en route to the small provincial towns of Li and Thoen, the visitor will find the village of Pasang noted for its cotton weaving, lamyai orchards, and beautiful girls. By some accounts the girls of Pasang are the loveliest in all Thailand. They certainly caught the attention of one former French ambassador, who noted that they are ‘fair with wide almond eyes, slender and supple, providing many prize-winners for beauty contests’.
A journey of a further nine kilometres leads to Wat Phra Phuttabaat Taak Pha, perhaps better known to aficionados of the Rambo movies as the temple where Sylvester Stallone is found in retreat at the beginning of the film Rambo III. The temple is characterised by a footprint said to have been left by the Buddha when he stopped to dry his clothes. Views of the surrounding countryside, and especially of the Ping River valley, are spectacular from the temple mount.

Queen Chamadevi

Queen Chamadevi is a shadowy figure in Southeast Asian history. She’s said to have come from the Mon kingdom of Lopburi between the 6th and 8th C. AD, founded the city of Haripunchai (modern Lamphun), and established a highly-developed culture that lost its autonomy only when it was conquered and assimilated by the southward-moving Tai under their leader (and founder of Chiang Mai) Jao Mengrai some 600 years later. But if historically Queen Chamadevi lacks definitive detail, the Northern Thai pongsawadan and dumnarn chronicles provide a fuller picture of this remarkable personage, while local legend and oral accounts are positively tabloid in the lurid way they treat her. Altogether less well known though is the fact that the Queen continues to make discreet appearances to her devotees right down to the present, keeping them up the mark in their observances of her ceremonies and the upkeep of her temples…and also on one occasion encouraged a radical rewriting of her history - as John Cadet relates in the translation and commentary that follow.

The chi-pha-khau’s Story.gif

.gifOn the 14th February 1965 a native of Sukhothai by the name of Suthawari Sowanapak, living in Chiang Mai and farming a piece of land at the foot of Doi Kham, had a strange experience. A few months before, he’d received a letter from the head monk of the amphoe asking him to check whether robbers had been digging into the reliquary of the deserted temple at the top of the mountain (5 kms. to the south of Chiang Mai city, later restored under the name of Wat Phrathat Doi Kham). He found no trace of damage, but intrigued by what he’d seen, he persuaded some farmer-friends to help raise funds to rebuild the temple by publishing its history and improving the road Khru Ba Srivichai had made to it some years before. In the succeeding months, though, Suthawari failed to find any records of Wat Phrathat Doi Kham, but on his way to consult the abbot of a temple at the foot of Doi Suthep, he saw the statue of Khru Ba Srivichai and went to pay his respects there, explaining what he was trying to do and asking the spirit of the charismatic monk for help. The following day he went up to the ruined temple, and this was where he had his strange experience.
.gifI heard a voice in the middle of the night,” he tells us in the preface to his prarachachiwa prawat pramaejao chamadevi (History of Queen Chamadevi). “The voice said, ‘My dear child, wake up!’ When I opened my eyes sleepily, my heart almost stopped beating. It was a ghost! I couldn’t run away. I was alone in the vihara. O-ho, there was the figure of a lady, very tall, big, smiling. She didn’t look fierce like a ghost in a book. She was wearing clothes of white which came down to her feet, with a crown on her head like an actor in a dance drama, and around her neck was a royal necklace. In a sharp, swift, low voice she said, ‘I am the ruler of Haripunchai. If you want the history [of the Doi Kham temple] you have to go to Haripunchai [modern Lamphun].’


.gifEarly the next morning, I went to Lamphun by bicycle but although I asked a lot of people, I didn’t get any information. I turned back, with his eyes closed in front of an altar. The smell of the Indian incense sticks filled the gloomy cave with its fragrance. The deep silence of the cave was like the lonely emptiness of some royal hall. The sound of phi naan Ta’s voice echoed. This atmosphere made us feel as if we were the humans of a thousand years ago. That night we stopped at eleven o’clock. The father hermit told us to stop and said, ‘My son, you will make this story for Mother Princess, and you’ll get the money to build a memorial to her. But you must be very careful. You may face danger to your life, because Mother Princess and her enemies are still contending. You will have to take care of yourself.’ Then we rested. Because I was weary from my journey, I slept deeply until phi naan Ta woke me at gone seven o’clock. That day, the whole day, we continued translating. We didn’t stop from morning to night. It took four days to finish. Then we made our farewells to the hermit and left.”

.gifSuthawari says he informed important monks in Chiang Mai about his task and its dangers, and received their blessing, at the same time ‘accepting the five rules’ binding upon laymen in exceptional circumstances. And his account continues:
.gif“On the 7th April I received the bad news that the father hermit was ill, and wished to see me. I, phi naan Ta and his little daughter hurried to the cave. When we reached it we found some of the father hermit’s disciples there - one from Roi Et, two from Mahasarakham, and the three from our party making seven, if we include the father hermit. When we were together he gave me parting instructions concerning my work and told phi naan Ta to ordain as a chi-pha-khau, so as to help protect me through wipassana [meditation].

.gifThen on the evening of the 9th April, the father hermit said his last words, ‘The time has come.’ He reached the end of his life peacefully. All of us performed the ceremony helping his soul pass into heaven, and we buried him in a secret cave where eventually leaves and grass would cover his grave. Then we parted sorrowfully, having divided up his important belongings, each of us taking two items. (When I met him, I asked why, if father hermit knew I had come to Chiang Mai long before, he hadn’t sent his disciple to find me sooner. He answered that the time hadn’t come. When he died, I knew that his words, ‘The time hadn’t come,’ meant that he was still alive). After that I hurried to separate the history of Doi Kham from the part involving the biography of the Princess Mother Chamadevi, and also busied myself revising her history, until, as predicted, I was attacked..gif

.gifThe mutability of human life causes me to end my short [preface to this] history at this point. I wish my readers all good fortune.”
.gifBy the ’80s, Sutawari himself had ordained as chi-pha-khau and opened a small establishment, half ashram, half museum, to the south of Chiang Mai town, and it was at this time, his revisionary studies of the history of Doi Kham and the life of Chamadevi completed, that a lecturer at Chiang Mai university who’d also had a visitation from the Queen, was able to make a financial donation to help with publication of the work. Since then, a group of well-to-do ladies, most from Bangkok and including members of the film community, have raised money to install a bronze statue of Chamadevi in the forecourt of Wat Phrathat Doi Kham, where small ceremonies honouring her are held from time to time. In the courtyard itself, the figures of the ancestral guardian-spirits of Chiang Mai, Bu Se, Ya Se, their son Hermit Suthep, the Lua chieftain Viranga, with other images of Queen Chamadevi - one representing her legendary lotus-birth - have also been assembled, grouped around the reliquary said to contain a lock of the Buddha’s hair.

.gifWhat the connection between the Buddha, the once and present Queen of Haripunchai, and the guardian spirits is, makes for a long and somewhat complicated story which deserves to be better known, but even without knowing it, the remoteness, beauty and unusual atmosphere of the temple’s location - not to speak of Sutawari’s remarkable history - make it well worth visiting.

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